GLENN HIRSCH MIXED MEDIA PAINTINGS

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GLENN HIRSCH TEACHING ART - SHORT VIDEO

 
THIS FALL AT THE JEWISH COMMUNITY CENTER OF ASHEVILLE
 
 INTERMEDIATE/ADVANCED PAINTING
 
8 Sessions >> Thursdays 7pm-930pm Oct. 5 - Nov. 30 (no class Nov. 23)
 
Location: Jewish Community Center of Asheville
236 Charlotte St. 828.253.0701

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Tuition: $200
TO ENROLL:
EMAIL ME (glennhirsch@earthlink.net) and I will email you an invoice which you can pay online with a credit card
OR MAIL A CHECK to Glenn Hirsch 1 Oak Lane, Candler NC 28715
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Through visual and verbal analysis, increase the power of your work and overcome blocks that hinder the completion of paintings. The course presents ideas to help you explore the content of your art through irony, humor, narrative, mood and the use of unusual materials. Slide lectures, individual instruction, group crits and technical issues in color and composition help you to explore a particular style and become more independent by working in series. Eight weeks, working in class and in your home/studio. Prerequisite recent painting or drawing experience.

 

SYLLABUS AND MATERIALS LIST CLICK HERE 
 
FIRST NIGHT SLIDE LECTURE CLICK HERE
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AT THE ASHEVILLE ART MUSEUM
 
 COLOR THAT SINGS, PATTERN THAT MOVES
 
6 Sessions >> Tuesdays 6pm-8pm Sept. 26 - Nov. 7 (no class Oct. 31)
Asheville Art Museum, 175 Biltmore Ave.
 

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TUITION: $240 ($220 Museum members)

ENROLL THROUGH THE MUSEUM:

https://shop.ashevilleart.org/products/color-that-sings-pattern-that-moves  

 

Space is limited; register by September 20.
For more information or to register by phone, call
828.253.3227 x122.

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This six week course combines explorations of Josef Albers’ color theory with the energy and rhythm used by artists such as Vincent Van Gogh, Egon Schiele and contemporary Native American artists such as Sarah Sense and Shan Gosham (on exhibit in the Museum’s ‘Home Land’ show). 
Students learn to mix color to create glowing light to convey feeling. These are combined with pattern, repetition and negative shape to create energy. Individual critiques and in-class studio sessions provide instruction in water-based media (with tips to make acrylic look and behave like oil). Weekly slide lectures kick-start inspiration and provide unusual conceptual options. Individual critiques provide analytical tools to make small visual adjustments in the final work

 

All subjects welcome: figure, landscape, abstraction or combinations of all three. Lectures are posted online for review in case a session must be missed.

 
FIRST NIGHT SLIDE LECTURE CLICK HERE

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